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Money, Kill, Magic

Magic doesn’t break — it suffocates
under the weight of shiny coins,
false value, and the whirlwinds
that spin everything… except the wonder.

Watching closely, Anne swung the hammer and smashed the sphere. The result exceeded all her expectations. Within seconds, a real drama unfolded before her eyes. From the center of the forest, a small cloud rose, quickly thickened, and began to swirl, gradually transforming into the magical whirlwind she knew so well.

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Reflections on the scene

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The second book opens not with a bang, but with a mystery—and a blockage. Anne is back in the real world, but the door to the Forest seems sealed. The magical game is gone, and Mr. Laptsev is nowhere to be found. What remains is a single, forgotten token from the Forest: a snow globe. But instead of transporting her back, it shows her something deeply unsettling. The Forest has changed. It has become something else—an amusement park, a theme world. Hainoland™.

This is the book’s first brutal shock: the magical world of Book I has not only failed to heal but has been colonized. Commercialized. Repackaged. And—most disturbingly—Anne can no longer access it.

The cause? The snowflakes in the globe aren’t snow at all. They’re coins. Money. They fall like a blizzard across the Forest and form a dense coating that suffocates the magic. In a brilliant stroke of satire, the book literalizes its central message: money kills magic.

Anne’s efforts to reenter the Forest become a metaphor for resistance. She and the now-silent Backpack study the globe, observe, decode. The magical whirlwind that once carried her in is still trying to form—but is crushed again and again by a stronger whirlwind made of money.

This scene is quiet but radical. It sets the tone for the entire book: satire, betrayal, disillusionment—and a new kind of courage. Anne must now fight not just evil, but entropy. Not just monsters, but ideology.

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Participants in the scene