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The Battle in the
Show-Theatre

Spotlights, smoke, and a stunned crowd.
But this is no performance — this is an uprising.
The ghosts rise, the memories awaken —
and Anne vanishes into the chaos.

Finally! There she was! Once the spotlights caught her, they didn’t let go. But wait — what was that she was flying on? It wasn’t a broomstick at all, but some old bony bird with only one leg. Strange... could this be some kind of ridiculous joke?

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Reflections on the scene

⸻ ❦ ⸻

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At last — revenge. But not the glorious, tidy kind. No, this is chaos incarnate: smoke, screams, stampede. The ghosts are free. The arena is theirs.

This scene marks the turning point of Book II. Until now, Anne has been reacting to others’ moves. But here, for the first time, the initiative belongs to her side — thanks to The Hinge, the old bandit gull, once Heino’s accomplice, now his bitterest enemy. With his raspy voice and smoky theatrics, The Hinge becomes the unlikely conductor of an uprising decades in the making.

The release of the ghosts is painted as both terrifying and triumphant. They don’t tiptoe out of their cages. They burst forth like wrathful furies, driven by years of humiliation. Their violence, though unsettling, is not senseless — it is the scream of the silenced, the fury of the broken.

And yet, victory is not without cost. In the confusion, Anne gets lost. The same smoke that shielded the ghosts blinds her path. Alone, disoriented, she falls — captured by the very forces she sought to defeat.

It’s a stark reminder that even the best plans can falter. That freedom, once again, comes with sacrifice. The ghosts are free — but the girl who freed them is now in chains.

⸻ ❦ ⸻

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